Sorry, I forgot to mention that I updated both the episode summaries (added Where Have All the Spaniards Gone?) and the Running Jokes page (which is sadly, pretty incomplete).
Anyway, this last episode, if you haven’t already heard, features Buzz Goldstein talking about his visit to Barcelona, Howard snuggling his pug, Desmond (as seen on the Wiretap Holiday Special video) and Zouzou discussing Batman vs. Superman.
Enjoy.
Today is Jonathan’s 39th birthday! How do I know? Because on the episode A World of Possibility, he reveals that his birthdate is 22. And in another episode – though I’m not sure which, he tells someone that his birthday month is August. And on Wikipedia, it says he was born in 1969…and…okay, just kidding I looked up his voting record from when he lived in Brooklyn.
He was born on Auguts 22, 1969. He is a male. There is some other information but none too interesting – except that he voted in the last presidential election, though I’d say he was probably living in Canada at the time. Sneaky, but we need all the help we can get.
Anyway, here’s to Jonathan Goldstein getting a little bit older and presumably a little bit wiser! In celebration, I suggest you go listen to his early work:
“It’s Not the Heat, It’s the Humility” from This American Life episode aired August 17, 2001.
Jonathan Goldstein heads into an environment that’s so hot that they people there believe that sweating — simply sweating — is getting something accomplished. Life in the Division Street Russian Bath turns out to follow a different — and superior — set of rules to life elsewhere. Jonathan’s the author of the novel Lenny Bruce is Dead. (14 minutes)
An audio diary from his road trip that spawned the Schmelvis book and movie, aired on CBC Dispatches on June 12, 2002.
We’re not saying Elvis is dead. But just visit his and you can see that if the fried peanut butter-and-banana sandwiches didn’t get him, the decor at Graceland surely did.
A lot of fans make that pilgrimage every summer on the anniversary of Elvis’s death — in a quest to recall the more innocent times, and the fundamental values he has come to embody.
This year is a big one — the 25th anniversary of the day The King died on the throne.
Two summers ago, Montreal writer Jonathan Goldstein hosted a CBC-Radio show called Road Dot Trip — and one of his trips was in a Winabego to Memphis, with a crew of Montreal filmmakers — during pilgrimage week.
Among the candlelight vigils, the souvenir shops and the Elvis impersonation contests, Jonathan unearthed some inner secrets of the soul of America, and its King.
And you can do some reading, too:
Jonathan’s contribution to Paul Tough’s Open Letters:
Paul Tough (who was interviewed by Howard in “Canadian Content” and “Helping Johnny“) actually mentioned the above Schmelvis piece in his intro to JG’s open letter:
More recently, he’s become a radio guy. This evening, in fact, the second episode of a new radio program he hosts will be aired on CBC radio. It’s called Road Dot Trip. The idea is that he’s going to spend the summer traveling across Canada, interviewing people and recounting adventures. Open Letters contributing editor Deirdre Dolan wrote about the show in the National Post; you can read her story, and see a picture of Jonathan looking tough, here.
Sadly, that link is broken. He also references an “unpublished” novel by Jonathan which, also sadly never saw the light of day (unless it eventually became Lenny Bruce is Dead). If so, then here’s some more Wiretap trivia: Jonathan Goldstein’s novel was originally titled “The Last Comedian.”
And then of course, there’s the Jonathan Goldstein Transom radio manifesto. Check it.
“Arctic Sunrise”
“Treat Me Right” was aired on March 11, 2007 and opens with Gregor prepping Jonathan Goldstein for a meeting with some TV execs. Won’t ruin the outcome here, but Gregor does call out Jonathan on one of his pronunciation quirks (“First of all, it’s Kafka, not ‘Calf-ka’”) and proclaims his own idea profoundly “meta.”
Next, Howard calls up Jonathan Goldstein ostensibly to discuss his new breakfast invention, the “Arctic Sunrise,” but then reveals that he is actually concerned about Josh’s rage. Together, Jonathan and Howard confront Josh in an episode as hilarious as the Howard-Gregor crossover in “Soulmate.”
Later, Jonathan consults a therapist (Katie Rich) and resolves to call his admiring cousin Kenny (Steve Waltien) who is super-pumped to go to Wizard World with Jonathan.
Finally, Jonathan, craving a bit of abuse, calls up a reliable source, which extends into the epilogue.
That’s it for this week. A good episode for those wishing to hear Josh at his rage-iest (coins the term “hate porn,” in the midst of his final tirade).
We also close out with Amy Winehouse’s “Rehab.”
OH and Howard references sandwiches again saying he bribed the CBC security guard, Maurice, with a ham and provolone sammich on whole wheat.
Because Heather O’Neill won the Canada Reads competition in 2007, her novel has been garnering quite a bit of media stir. Lucky for us, this means tons of behind-the-scenes news pieces and interviews. Here’s your definitive guide to what’s out there on the Internet on O’Neill:
Highlight:
About.com: You started as a poet, with your book, “Two Eyes Are You Sleeping.” Did you make a transition to fiction at some point, or had you always written both? In what ways does your background as a poet influence your prose?
Heather O’Neill: I think there was always something very proselike about my poetry, the same way that I think there is something very poetic about my prose. After my poetry book came out, I entered a creative writing program and all the poetry classes were full so I took a prose class. Once I started, I couldn’t stop. It was so much easier to get published, too, which helped.
So she started writing prose by default? Gee whiz. That’s kind of how I ended up taking German in college, but mein Deutsch ist absolute Scheiße. It’s kind like how Goldstein ended up with his first Wiretap-esqe piece for This American Life. He told Transom.org:
The next twenty-odd years were uneventful as well as virtually worthless. I completed my public school education and then did a ten-year stint in a telemarketing office. Then one day, my friend Joshua Karpati told me about a phone message that was circulated throughout Columbia University in the early nineties. The message essentially consisted of a Jewish mother telling her Jewish son to go fuck himself. He told me about all the various lives that were touched by this message. I decided to produce a story about it on TAL.
That ended up on the episode “Recordings for Someone” and featured Josh being not-as-shrill-as-Wiretap-Josh and uttering “I diggy-don’t give a rat’s ass.”
Highlight: Just in case you were worried that Heather O’Neill’s childhood was absolutely ghastly, here’s this:
Q: The vivid first-person narration of your novel makes it read more like autobiography than fiction. To what extent did you borrow from your own experiences as a teenager in crafting the world Baby inhabits?
A: The novel isn’t autobiographical. The down and out world of Montreal was the one that I grew up in, though. It’s a world that is composed of what attracted and fascinated me at Baby’s age. Also, like Baby, I didn’t have a mother. I was raised by my father since I was seven years old. So the longing and absence for a mother is something that is in my bones, especially the difficulties of being an adolescent girl without a mother and looking for maternal love in relationships with boys. A lot of the children in the book were inspired by children that I was infatuated with. My dad is very different from Jules. But he’s similar in being eccentric and outrageous, but more in a tough guy kind of way. Like Jules, he tried his best, although his idea of parenting was absurd.
HarperCollins also provides a reading guide, for those of you who want to start a Heather O’Neill coffee clatch.
Lullabies for Little Criminals has an extensive Wikipedia entry, too.
Highlights: List of awards:
A Quill and Quire profile. Written more narrative style and less Q & A.
Highlight: Notes that Zouzou isn’t allowed to read the book and that Hettie has “a soft voice that is impressively smooth, given how many Camels she will smoke in the hour I’m there.” Always nice to know which cigarettes a writer smokes.
Here’s a story in the New York Times. Not an interview, but I found it in my search. It’s called “Almost Home.”
Ohh here’s a good one: TheStar.com has an article which gives us insight on Heather O’Neill and Jonathan Goldstein’s relationship.
O’Neill won a scholarship and graduated from McGill at the age of 20. A short-lived liaison produced a daughter, Arizona, now 12, to whom O’Neill is devoted. They live in Montreal with Jonathan Goldstein, host of CBC Radio’s show WireTap and author of Lenny Bruce Is Dead, a novel.
“I was 22 and he was 26 and we met when we were both reading our poetry at this little bar in Montreal,” she recalls. “He came in soaking wet from the rain and when he read, I thought it was the greatest poetry I’d ever heard. We traded our chapbooks. For years we were each other’s only fans.”
Also, the article mentions Paul Tough, who is interviewed twice by Howard on Wiretap (once in character and once as himself).
This brief article from The Aucklander News noted that Heather O’Neill was on a “celebrity panel” of judges for some kind of poetry slam.
Okay there are a lot more, won’t summarize but here are two more for now:
Here are a couple Howard Chackowicz interviews. This one is quite recent, covering the release party of Howie Action Comix, feat. performances by Nutsak and Bug-eyed Monster (both with Howard on the drums).
First, he talks about his first collection of comics, which featured the now-retired autobiographical “Howie”:
“I can’t do Howie-the-fat-kid anymore,” announces the artist from across the table of his Fairmont Street kitchen, while an impressive array of Ray Harryhausen models stare out from their shelf behind his head. “In the past, when I drew [those comix], I used to find them very funny… my childhood was a source of endless comedy for me for an entire decade. ‘Howie’ is autobiographical – he’s naked, he’s impossibly huge, and he’s the ultimate victim of cruelty, and all he wants to be is good, and to be loved.”
He goes on to say this:
“I love life,” says Chackowicz, by way of clarification. “I think life – trees, birds, people, all that shit – is wonderful, but… I feel like the whole world’s on fire, and we’re all part of it.
[...]
In life, all I give a fuck about is being a good person, and I feel like the angry stuff in the art is an extension of my trying to be a good person.”
Much different sentiment then the lyrics in “I Hate Everything.”
Snubdom.com features a bit more darker-toned interview from 2001. Here are some tidbits:
The reason why I have a hard time doing stuff is because… I do a lot of drawings, I have boxes of sketches & half-finished comics, but I think the thing is… in my life, growing up the way I did there was a lot of underlying pressure to be liked & do something that would make me popular & be a well known artist doing comix & painting. I was born in Chomedy, Laval. My mom’s still here but everybody else moved out of Montreal. The thing with me, which relates to why I don’t “push my career” as much as I should, is that on my 17th birthday I got cancer & shit. I even published a biographical story in Real Stuff about it called “My New York Ball.” I had testicular cancer, I lost a ball. When you turn 17 & you lose a ball, there goes your fucken masculinity & chance of getting laid. Especially when the teacher announces it to the school, the fucken cunt.
Other than that downer, the article notes that Howard:
There’s also a bit of discussion about cocaine use and bukakke. Check it out.
Listen to Wiretap Now!
